Lada Afanasyeva

Designed by Jakob Fischer, Organic Benefit is a hand display and hand drawn font family. This typeface has two styles and was published by Bogstav . Download Now Server 1 Download Now Server 3 Download Now Server 2 Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it! Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically! Organic Benefit

Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style. This served as the design model for Grounds Crew Stencil JNL , which is available in both regular and oblique versions. Grounds Crew Stencil JNL

Designed by Jeff Levine, Grounds Crew Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style. This served as the design model for Grounds Crew Stencil JNL , which is available in both regular and oblique versions. Grounds Crew Stencil JNL

Designed by Nicky Laatz , Nightingale Script is a historical and script font published by Nicky Laatz . Download Now Server 1 Download Now Server 3 Download Now Server 2 Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago. Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel. Includes a small selection of Opentype Ligatures and alternate letters (see preview) .     Nightingale Script

Designed by Kaja Słojewska, Rupert is a sans serif font family. This typeface has sixteen styles and was published by Nomad Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental. Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert ’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms. He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together. Rupert

Designed by Amy Dietrich, Rabbet is a hand drawn and script font published by Atlantic Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Rabbet is based on the handwriting of furniture designer and maker, Aaron Fedarko. It’s friendly, bold, condensed, and left-slanting. Rabbet ’s special feature, besides loads of boyish charm, is a load of hand written fractions as discretionary ligatures. Whether you’re into woodworking or you just want a cool, maybe slightly rebellious, handwritten font, Rabbet is ready to do the work. Rabbet

Designed by Jeff Levine, Detective Client JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel. Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre. The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate. After all, this is